《In Memories Dreams Reflections, C.docx》由会员分享，可在线阅读，更多相关《In Memories Dreams Reflections, C.docx（15页珍藏版）》请在第壹文秘上搜索。
1、HiroshimaCreativity,sDarkSide:OwningtheFullFaceoftheGodsAwakeningPersonalMythologythrouglArtAccompaniedbyaFilmProductionPieceByCatherineFirpo,Ph.D.Whoeverfightsmonstersshouldsectoitthatintheprocesshedoesnotbecomeamonster.一FriedrichNietzscheThenuminousoccursthemomentweknowwearepartofsomethinggreatert
2、hanourselves.Variousperspectivesoftruthproclaimthequalityofnuminousexperience.TheonetruthIknowinmyintimaterelationshipandexplorationofboththeinherentdarknessandlightofthecreativeprocessisthis:everything,everythingthatisburiedresurfaces.Digjustbeneaththesomaofshatteredlifetorevealthebonesofexistencea
3、nddestiny.Myth,mythology,mythopocsis,anddepthpsychologyfleshoutthebonesofadepartedabsentcreativitywaitingimpatientlytobediscovered,re-imagined,loved,andregeneratedbackintoexistence.Thisprocessemploysanarchetypallensandlanguagethroughtheperspectivesofmythologyanddepthpsychologytoviewtherangeofthehigh
4、esttothemostterrifyingdepthofcreativity,sshadowintheindividualandcollectivepsycheasitexistsintheAtomicBombingofHiroshima,Japan.Theoftenignoredshadowaspectofcreativitywillbeexploredthroughthefollowingtemplates:descentintothecreativeprocess;ascent:survivingtheunderworldofthecreative;andregeneration:th
5、ereturntotheworldaboveorcurrentglobalculturaltimesbringingpatternsofrebirth.ThispaperconfrontsthedarkaspectsinallofusandthenecessaryjourneyWeallmusttaketoacknowledgeourownshadows.Untilwedo,athousandSeptember11lhswilloccurinathousanddifferentways.HiroshimaandSeptember11thcontainaspectsofthesamedynami
6、ctensionfoundinviolent,supposedlyredeemingacts.IfcollectivelywedonotproceedwithconsciousnessweriskinitiatingtheblindnessrerredtobyMahatmaGandhiwhenhesaid:uAneyeforaneyemakesthewholeworldblind.WhatIproposeisaparadigmshiftinconsciousnesswithregardtotherelationshipconnectingviolenceandcreativity.Ioffer
7、adifferentperspectiveonviolenceassubvertedcreativity.Thereisaninescapablelinkbetweenthecreativeandthedestructivemomentinhumanexperience.Atthemomentofchoicebetweenthetwo,eachofusstandsatthethresholdoftheunknown.Eachchoicewemakepropelsus,ourcommunitas,ourcollectiveuniversalpsyche,intohiddendimensionso
8、funconsciousrealitydesiringconsciousness.Theshiftofconsciousnessinthepsychearisesfromthedynamictensionofchoosingeitherpathwayofcreativity:creationordestruction.UnforeseeninthesechoicesarethemultipleIiminaldimensionswhichawaitusatthecreative/destructivegateways.Thesechoiceswemustmakeagainandagainoure
9、ntirelifetimebecausetheyareaspectsofinitiationandmirrortheproverbsofhistoryandmyth.TheyarethejuicewefeeduponandthephysicalandIiminalgritWebuildsoulstructurewith.Weliveindifficultpost-9/11times.Weliveinaterritoryofvanishedillusionsandrawreality.Americansarefinallyconsciousoftheterroroftheatomic/nucle
10、arbomb.Hiddeninthelongstillsilosbeneaththeearth,theA-bomb,schildrenwhispertous:uWhyisHiroshimanevershownasoneoftheworldsgreatesthorrors?BecauseitisAmericanborn.,Ourorphan,thehorrificallyconceivedchildoftheatom,waitsforustotakehimhome,tolovehim,andtointegratehispresenceintotheAmericanpsyche.However,t
11、herampartsofdenialarestrong,andwithinapostmodernera,thedesiretodeconstructanyforce,tangibleorintangible,isasprevalentastheairwebreathe.Creativityitselfhasbeendeconstructedandreconstructedonaframeworkofmetaphoricalstages,revisioningandrebuildingourconceptofreality.Thechoiceofactionbetweenthecreativeo
12、rdestructivemomentontheplanetiscriticaltoday.Asthestageissetforeitherforcetoarrivefullyandexplosively,sodoesrealityawakentotheDoomsdayClocksnuclearmidnight.Intruth,ifwecannotletgoofourattachmentstothemythologiesofwar,creativity,andthepowerfulhorrificbeautyoftheexecutionofweaponry,wewillnevershiftthe
13、paradigmwhichremainsinexistencewithinthedeeperStrata-Ianguageofpsyche.Wemustmovebeyondthelimitationsofthewordpeace.Overused,itsenergyislimitedbythelackofimaginationtoevolvebeyondit.Sinisterprojectionsoffearandterrorwieldpowerandcreateaclimateofinsatiabledesireformaximumforce,thesolutionistoacknowled
14、getheoftenignoredordisownedaspectofcreativity:itsshadowside.Template:Descent-Creativity,sDescentDescentintotheshadowsideofthecreativeprocessisnecessaryforthecontinuedevolutionofforms,symbols,andicons.Wemustdescend.JungiananalystBettyMeador,inherbookUncursingtheDark,dealswitharchetypalpatternsofdesce
15、ntandassertsthatdescentisnecessaryandexistsinnatelyinthebodyofthefeminine.Shestatesinherchapter,tAttheBottom:“Thepsychepullsforustofallallthewaytothebottom.Atthebottomwemeetourselvesstrippedbarewithnothingleftbutourmereexistence.Thisconditionofelementalrealitybumsintoourconsciousness.Wereturntotheup
16、perworldbearingtheimprintinourbones.Thenewcarriersofthisancientwatchonnaturearetheseindividualswhogoallthewaythroughadescent(xiii).Noonewhohasenduredadescentwillevertreatlightlythesufferingitdemands.(45)Meador,sworkhelpsillustratehowtheA-bombliesinwaitintheshadowofasubvertedperceptionofcreativity,combinedwithunconsciousdenialofthefeminineinstinctualprinciple.Therefore,Meadoriscorrectinstatingthat“Thenewcarriersofthisancientwatchonnaturearetheseindividualswhog
